Maybe it's the make-up, the Edward Scissorhands meets beetlejuice meets Freddy Kruger look. Something seemingly...horrible? can become so stylish. The design definitely has a memorable presense to me. It could be a gothgirl's dream, a beautiful nightmare, and hey, I'd say that's a good thing. Possession, prom-queen, dream-catchers, corpses, all bring such a unique perspective. I think you could go even far as to say necrophilia could've been an inspiration. Garments slashed in a way that screams Elm Street, the outfits were conservative but with adequate amount of sexy.I think one of the key original elements of the collection were the references to Dream Catchers, the webbing, the intricate knotting, feathers. Just the details of it, you could see that everything was very thoughfully done, even the slashing on the clothes. At first glance, you may think it's randomly slashed, and..even your five year old sister could do the same with a pair of scissors to your favourite shirt, you're mistaken, and you realise that there's a structure and a pattern, and everything has been thought through. It's this careful, yet rebellious kind of construction that attracts me to this collection. And it's consistency is flawless, which is why I strongly disagree with this commentary. And what if it's not utterly wearable? This is catwalk. I wonder how Ms. O'Niell reacts to couture..........and she must think I have weird taste. Oh well, can't please all. Weirdoz rule!
Photo credits: Elle.com
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